semeiotica recombining contemporary art, design strategy and life science
August 15, 2008 at 6:33 pm · Filed under complex systems, ecoregionalism, interdisciplinary, making it public
This intelligence assessment on climate change came out a couple of months ago and had a bit of coverage in the press, NPR especially.
National Intelligence Assessment on Climate Change (PDF)
The compelling section of the report was its recognition of its own limitations, and the kinds of tactics that the intelligence community needs to better understand complexity and difficult social, economic, and environmental issues.
Our analysis could be greatly improved if we had a much better understanding and explanation of past and current human behavior. Continued research to model social human dynamics at the individual and society level would support this improved understanding. This would necessitate the ability to integrate social, economic (infrastructure, agriculture, and manufacturing), military, and political models. Continued research in these efforts—while a significant challenge—could have high analytical payoff. In the interim, assessing the future of a society’s evolution will by necessity be a scenario-driven exercise and an imprecise science. The continued use of outside experts is critical to our success.
It’s somewhat comforting to know that at least the intelligence community is starting to learn that it takes diverse groups of people and disciplinary perspectives to solve difficult problems. Who knows, maybe they will even be willing to seek out non-traditional perspectives from the arts and/or oppositional discourses in their futurecasting.
August 14, 2008 at 10:39 am · Filed under Uncategorized, boundary objects, community interaction design, interdisciplinary, making it public, proposals, teaching and learning
So here is something neat: I was recently appointed a Senior Researcher at the UCLA Art |Sci Center. I’m currently working on a community website for the Leonardo Education Forum, and organization focused on promoting the intersections of art, science and technology– particularly in educational contexts.
Here is a brief for the project:
How do individual perspectives and group identities impact the development of diverse collaborative networks such as those exemplified by the Leonardo Education Forum? The Leonardo Education Forum is composed of educators, artists, scientists, designers, historians and students from many regions of the world and of diverse ages, backgrounds and perspectives. The main objective of the research is to create an online portal for individuals and groups to find common ground through which they can develop interactions and perspectives that will allow them to establish long-term and robust collaborative and interdisciplinary relationships. Diversity refers not only to the disciplinary affiliations that characterize, for example, artists, scientists, historians, sociologists and designers, but also to different age distributions, regional, and language-based perspectives in addition to the opportunities afforded by differences in socio-technical networks.
We endeavor to create a space that shares events and opportunities for individuals to identify and take part in–i.e. to model behavior across time and space. There is a social networking aspect that seeks to make visible that spaces and regions in which these people, events and opportunities are available so as to extend an existing global network of interactions and perspectives on the relationships of art and science. In particular, we are interested in making best-practices in projects and pedagogy visible and available for students and educators that seek to establish methodology for cross-fertilization among disciplines. Of particular concern are areas of technology whose relationship with individuals is complex and where solutions tend to be controversial (e.g. nanotechnology, climate change, genetic engineering, analysis of human behavior, etc). These tend to be spaces where the interactions among diverse domains are both most necessary and less clearly articulated. They are also areas in which the Leonardo Education Forum can provide creative models for these interactions.
August 13, 2008 at 10:56 pm · Filed under Design, art, critical theory, interdisciplinary, metaphors, visual culture
Yesterday I made a point of visiting the exhibition “Design in the Age of Darwin” at the Block Museum of Art on Northwestern University’s campus in Evanston, IL. The title of the exhibition caught my attention when I was flipping through a Chicago guide while visiting with some family there. The terms “design” and “Darwin” are usually brought up in a controversial opposition. However, this exhibition promised to take a deeper look at the relationships present in the fundamental orderings of Darwin’s work on natural selection and decorative design.
The exhibition takes a sort of auteur-like approach, focusing on a few men prominent in the decorative arts at th turn of the century and just before the birth of so-called modernism. The title includes the notables William Morris and Frank Lloyd Wright as well as C.F.A. Voysey, Louis Sullivan, and Christopher Dresser, an English botanist turned industrial designer.
I wrote in the comment book that the exhibition was well-presented, but that it lacked an engagement with the discipline of evolution as well as any other social and cultural field beyond traditional notions of design.
The missed opportunity lies in the ability to untangle well-tread debates of form versus function from ideas about natural and sexual selection, the role of mutation as a creative force, and the cultural and social appropriation of “selection” in the burgeoning onslaught of mass production and “upward mobility”.
I would have liked to see, for instance, a more overt discussion of Frank Lloyd Wright’s spandrel and the famous (at least within evolutionary biology) paper “The Spandrels of San Marcos”. In it Gould and Lewontin take on the adaptationist perspective which basically says that form must have function and needs a explanation. The adaptationists neglected the role of happenstance (technically, genetic drift) and frequently created “just so” stories to explain the unexplained. Gould and Lewontin’s view was that evolution is a side-effect of a true adaptation, where some traits arise from correlations between a networked body (i.e. gene networks), rather than arising from natural selection. Admittedly, I haven’t read the catalog for the exhibition, but here was a golden opportunity to flesh out the role that complex dynamism plays in evolution. As it stands, the exhibition just furthers the paradigm of intention and selection in the interplay of form and function.
I would agree with the curator’s thesis that Darwin’s ideas contributed to the design sensibility of the age, but it was probably only the case insofar as both Darwin and these designers relied on the metaphor of selection.
Another missed opportunity was the role that social Darwinism played in the development of modernism. For an excellent paper on the subject, see Christina Cogdell’s “Products and Bodies: Streamline Design and Eugenics as Applied Biology.”
What was there were some fantastic examples of Arts and Crafts and Prairie-style decorative and architectural renderings from Chicagoland area collections. It seems almost like the curator was constrained in the availability of ideas and objects to articulate the thesis, and while the show is a unified presentation, there isn’t anything novel to suggest that accounts of art history haven’t yet “speciated”. For the discipline’s sake, let’s hope it doesn’t go extinct.
Gould, S. J., & Lewontin, R. C. (1979). The Spandrels of San Marco and the Panglossian Paradigm: A Critique of the Adaptationist Programme. Proceedings of the Royal Society of London. Series B, Biological Sciences, 205(1161), 581-598. Retrieved August 13, 2008, from http://www.jstor.org/stable/77447
Cogdell, C. (2003). Products or Bodies? Streamline Design and Eugenics as Applied Biology. Design Issues, 19(1), 36-53. Retrieved August 13, 2008, from http://www.mitpressjournals.org/doi/abs/10.1162/074793603762667683
August 3, 2008 at 9:31 am · Filed under bioinformatics, host-parasite, maps, public health
HealthMap
A project called HealthMap (http://www.healthmap.org) makes epidemiological information available to all corners of the world via the web. As reported in the July issue of PLoS Medicine, it extracts, categorizes, filters and integrates a variety of Web-based data sources, even analyzing blogs, listservs, chatrooms, and online news reports as sources for monitoring global health.
The idea is that people’s discussion can serve as signals of disease outbreaks which can then be scraped and fed to a map…
Brownstein JS, Freifeld CC, Reis BY, Mandl KD (2008) Surveillance Sans Frontières: Internet-Based Emerging Infectious Disease Intelligence and the HealthMap Project. PLoS Med 5(7): e151 doi:10.1371/journal.pmed.0050151
July 25, 2008 at 8:04 pm · Filed under cognitive justice, community interaction design, critical theory, evolution, metaphors, semantics
I’m picky when it comes to using metaphors. They reveal so much about the biases and commitments that underscore our thinking and, more importantly, how that thinking gets translated into physical manifestations and action.
Cathy Davidson at HASTAC has written a sharp brief on the use of the word ’selection’ as it pertains to evolution and natural selection. She writes,
Having spent a day pulling book after book after book off my shelf, and looking at the proforma and obligatory evolutionary argument that almost inevitably comes in the final chapter of an otherwise careful description and discussion of brain functionality, I am convinced that the word “selection” has a lot to answer for.
The point she makes in the article is that the use of the word selection is directly linked to ideology. I think she is right here, and it should have been incumbent on the evolutionary biology community to recognize this and have proffered a solution early in its history. My fear is that, to do so, would be seen as a mocking retort to creationists that so recently cloaked their arguments in the guise of intelligent design. Well, maybe that a good thing.
Expanding on the relationship of the selection metaphor and its connection to ideology, Margret Evans, a psychologist at the University of Michigan, studies some of the ways that children, potential users of evolution, acquire evolutionist and creationist beliefs. Evans describes how Western religious and philosophical traditions emphasize essentialism, teleology, and intention, and in the process limit the cognitive appeal of natural explanations for the origins of species. She argues that because these ideas tend to show up repeatedly in public representations, they constrain the inferential reasoning capacities of the developing mind. It’s an observation that suggests science’s own predilection for categorization is at the root of evolutionary biology’s social friction.
Maybe we ought to have namethis.com come up with a new term.
July 25, 2008 at 12:04 pm · Filed under bioinformatics, biology, interaction, visualization
A comparison of interaction records in two group of hens. This figure illustrates the comparison feature of the music notation program showing the interaction records in two groups of hens interleaved in two-hour blocks.
Ivan Chase demonstrates a compelling use of musical notation for visualizing social interactions and (conceivably) networks using musical notation. Chase suggests that:
music notation graphs can be of particular help in a variety of fields interested in social interaction in humans, animals, and machines such as behavioural ecology, behavioural economics, social organization in animals, development of social networks in humans, human conversational analysis, and the coordination of actions in social robots.
Read the entire article: Frontiers in Zoology 2006, 3:18
June 25, 2008 at 9:55 pm · Filed under Uncategorized
The common space at the Center for Complex Networks Research allows for group interaction, impromptu exchanges, and reception of visitors. Lunch, printing, library, and coffee all converge near conference rooms and shared offices.
June 25, 2008 at 9:53 pm · Filed under Uncategorized
See-through walls at the Center for Complex Networks Research allow behavior to be observed while keeping conversations in common areas from interrupting focus. Shared offices help maintain an additional level of cohesion among labmates.
June 25, 2008 at 9:51 pm · Filed under community interaction design, interdisciplinary, making it public, relational aesthetics, teaching and learning
Ok, the pic isn’t great but you get the idea. This is “The Cube” at the MIT Media Lab. I visited the Lifelong Kindergarten group there and saw how their close proximity to tools, shared workspaces, and each other facilitated their work in progress. I really liked how the space was large with high ceilings, that it was a mess of projects, and that there was a table where lab members would work individually with a tacit sociality.
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