Janet Cardiff and George Bures Miller, The Muriel Lake Incident, 1999, Wood, audio, video projection and steel, 72 1/2 x 90 1/4 x 62″. All images courtesy of Luhring Augustine.
(…for BOMB magazine. I’ve just linked it here of course.)

Janet Cardiff’s work is a precedent that I’d like to emulate.

Some of her work might be characterized as augmented reality- where images or multimedia overlap with real space and the viewer’s experience of space. My experiences with the work have been transformative- such as spennding time in the upper floors of PS1 in Queens, NY shortly after 9/11 roaming among the speakers voicing “40 Part Motet” as the sun set over Manhattan.